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Piano, Voix
187
Piano Facile
171
Piano, Voix et Guitare
81
Orgue
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35
1 Piano, 4 mains
14
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
8
Piano (partie séparée)
5
2 Pianos, 4 mains
4
Accordéon
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Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
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Clavecin
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GUITARES
Guitare notes et tablatures
69
Guitare
55
Guitare (partie séparée)
14
Mandoline
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Ligne De Mélodie, (Paroles) et Accords
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5
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4
2 Guitares (duo)
2
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2
Banjo
2
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2
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1
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1
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VOIX
Chorale SATB
279
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80
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56
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35
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33
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12
Voix haute
7
Voix Alto, Piano
6
Voix Soprano, Piano
6
Voix moyenne, Piano
4
Chorale
3
Voix Tenor
3
Voix basse
2
Chorale SSATTB
2
Voix Soprano
1
Voix seule
1
Chorale SSAATTBB
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VENTS
2 Saxophones (duo)
83
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66
Quatuor de Saxophones: 4 saxophones
58
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
56
Flûte traversière et Piano
54
Flûte traversière
49
Saxophone Alto et Piano
46
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette
45
Flûte, Hautbois, Clarinette, Basson
41
Hautbois, Piano (duo)
38
Saxophone Tenor et Piano
36
Clarinette et Piano
34
2 Clarinettes (duo)
33
2 Flûtes traversières (duo)
33
Saxophone Alto
32
Saxophone Soprano et Piano
23
Quintette de Saxophone: 5 saxophones
18
Hautbois (partie séparée)
17
Saxophone, Clarinette (duo)
15
Quatuor de Flûtes : 4 flûtes
15
Flûte à bec Soprano
15
Flûte, Clarinette (duo)
15
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13
Ensemble de Flûtes
12
Ensemble de Clarinettes
12
3 Saxophones (trio)
11
Trio de Flûtes: 3 flûtes
10
Saxophone Baryton, Piano
10
2 Hautbois (duo)
8
3 Clarinettes (trio)
8
Hautbois, Basson (duo)
8
Hautbois, Clarinette (duo)
8
2 Flûte à bec (duo)
8
Clarinette, Trompette (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes à bec
7
Clarinette, Basson (duo)
6
Clarinette Basse, Piano
6
Flûte et Guitare
6
Clarinette et Alto
6
Flûte, Violon
6
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5
Hautbois, Flûte
5
Cor anglais, Piano
5
Flûte, Saxophone (duo)
5
Ensemble de saxophones
5
Flûte et Trio à cordes
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois (duo)
4
2 Flûtes traversières, Piano
4
Quintette de Flûte : 5 flûtes
4
3 Flûtes à bec (trio)
3
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
Flûte, Clarinette et Basson
3
Hautbois
3
Flute (partie séparée)
3
Clarinette, Violoncelle (duo)
3
Clarinette, Tuba
2
Hautbois, trombone (duo)
2
Saxophone Tenor
2
Flûte à bec Alto, Piano
2
Flûte à bec Alto
2
Flûte, Violon, Violoncelle et Piano
2
Flute, harpe et violon
2
Flûte à bec Tenor
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone, Violon (duo)
1
4 Hautbois
1
Flûte à Bec
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Flûte, Tuba (duo)
1
Flûte, Violon et Violoncelle
1
Ensemble à vent
1
Clarinette, Guitare (duo)
1
Flûte, Trombone (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trompette
47
Trombone
30
Trompette, Piano
30
Trombone et Piano
30
Cor
27
Quatuor de cuivres: 4 trombones
24
Trombone (partie séparée)
22
Cor et Piano
21
Trompette (partie séparée)
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trompette, Saxophone (duo)
18
2 Trombones (duo)
17
Quatuor de Cuivres
17
Tuba
15
2 Trompettes (duo)
15
Trompette, Trombone (duo)
14
Tuba et Piano
12
2 Cors (duo)
8
2 Tubas (duo)
8
Euphonium
7
Euphonium, Piano (duo)
6
3 Trombones (trio)
6
Quatuor de cuivres: 4 cors
6
Cor anglais, Piano
5
Ensemble de Trombones
5
Euphonium, Tuba (duo)
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Cor (duo)
4
Trompette, Tuba (duo)
3
Tuba (partie séparée)
3
2 Euphoniums et 2 Tubas
3
Cor (partie séparée)
3
Ensemble de Trompettes
3
Trompette, Trombone, Piano
2
4 Tubas
2
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Cors
2
Trombone, Violon (duo)
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
3 Cors (trio)
1
3 Euphoniums
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Trio de Cuivres
1
Trompette, violon (duo)
1
Trombone, Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
139
Violon
63
Violon et Piano
59
Harpe
42
Violon, Violoncelle (duo)
37
Violoncelle (partie séparée)
35
Violoncelle, Piano
35
2 Violons (duo)
34
Alto, Piano
32
2 Altos (duo)
24
Violon, Alto (duo)
24
2 Violoncelles (duo)
23
Alto seul
17
Violoncelle
14
Trio à Cordes: violon, alto, violoncelle
11
Contrebasse, Piano (duo)
11
Contrebasse (partie séparée)
10
Alto, Violoncelle (duo)
8
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Contrebasses (duo)
7
Alto (partie séparée)
7
2 Harpes (duo)
4
Violon (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 violins
4
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Contre Basse
4
Piano Trio: Violon, Alto, Piano
3
Violon, Guitare (duo)
3
Violon, Tuba (duo)
2
Trio à cordes: 3 altos
2
Trio à cordes
2
Harpe, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Harpe et Orgue
2
Violon, Basson (duo)
2
Quatuor à cordes: 4 violons
2
2 Violons, Piano
1
2 Violoncelles, Piano
1
Harpe, Voix
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
105
Ensemble Jazz
84
Orchestre
67
Orchestre à Cordes
53
Ensemble de cuivres
45
Orchestre de chambre
26
Cloches
24
Ensemble de Percussions
10
Jazz combo
8
Batterie (partie séparée)
8
Marimba
4
Fanfare
3
Vibraphone
3
Xylophone, Piano
3
Batterie
2
Instrumentation Flexible
1
Percussion
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
2
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5576
A Baroque Sampler for Octave Mandolin
Mandoline
27 Easy to Intermediate Pieces Selected from the Works of 13 Baroque Composers. Compos…
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27 Easy to Intermediate Pieces Selected from the Works of 13 Baroque Composers. Composed by John Goodin. Classical. E- book. Mel Bay Publications - Digital Sheet Music #30744EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119512.<br> <br> The octave mandolin is valued for its rich tone and wide range of potential use in a variety of musical settings. This book contains 27 easy to intermediate pieces from the Baroque era that have been carefully chosen and arranged to benefit from the longer scale and deeper voice of the big mandolin. The music is presented in both standard notation and tablature, making it easily playable on the mandocello, mandola or standard mandolin. Thirteen composers are represented, including six pieces by J. S. Bach, four by G. F. Handel and three by G. P. Telemann.
$9.99
9.2 €
#
Mandoline
#
John Goodin
#
A Baroque Sampler for Octave Mandolin
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Telemann for Two Mandolins
2 Mandolines (duo)
64 Compositions Chosen from the Works of Georg Philipp Telemann. Composed by John Go…
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64 Compositions Chosen from the Works of Georg Philipp Telemann. Composed by John Goodin. Solos and Duets. Style. E-book. Mel Bay Publications - Digital Sheet Music #30653EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119505.<br> <br> As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories: Sonatas for two treble-clef instruments without bass accompaniment. Pieces for solo instrument and bass. Movements from Telemannas many trio sonatas and overture-suites for two melody instruments and bass. Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range.
$19.99
18.41 €
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2 Mandolines (duo)
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John Goodin
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Telemann for Two Mandolins
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Modes on Mandolin: Improve Your Improvisation
Mandoline
Mandolin - Advanced - Digital Download SKU: M0.30119EB Composed by Todd Collins. Ja…
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Mandolin - Advanced - Digital Download SKU: M0.30119EB Composed by Todd Collins. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #30119EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30119EB). ISBN 9781619114067. 8.75x11.75 inches.Modes on the Mandolin: Improve Your Improvisation is a collection of exercises for the mandolin student to work through to better understand the fretboard and expand their musicality. The collection includes scales, modes, arpeggios, patterns, intervalic and rhythmic exercises, and progressions. It will serve as a valuable resource and a supplement to, but not a substitute for, a good teacher. You do not need to follow the chapters in order, as all of them will help you play and improvise over progressions. The exercises are tools to help you build muscle memory and musical ideas anywhere on the fretboard. Connect the physical with the theoretical. There are examples of common tune chord progressions with ideas applied to them. By creating your own musical ideas over the same progressions, you will find that the practical information given (exercises) turns into functional use (playing and improvising). Once you gain a better understanding of the fretboard, you will notice more fluidity and creativity in your playing.
$22.99
21.17 €
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Mandoline
#
creating your own musical ideas over the same progressions, you will find that the practical information given
#
Todd Collins
#
Modes on Mandolin: Improve Your Improvisation
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
69.05 €
#
Orchestre d'harmonie
#
Gregory Fritze
#
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
#
SheetMusicPlus
Mandolin Blues Book - 101 Blues Riffs and Solos for Mandolin
Mandoline
Composed by Brent Robitaille. Blues. Score. 158 pages. Brent C Robitaille #6384045. …
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Composed by Brent Robitaille. Blues. Score. 158 pages. Brent C Robitaille #6384045. Published by Brent C Robitaille
Take your blues playing to the next level with the MandolinBlues Book. A collection of 101blues riffs and solos ideal for all mandolinists looking to get a good grasp ofjamming the blues. <br> <br> The book covers all the essential tools needed to playblues mandolin. Start by learning the 40stylistic riffs, then the 25 one and two bar blues riffs in multiple keys, andmove on to the longer 12 bar blues rhythm riffs and extended solos. <br> <br> Most of the longer rhythm riffs and solos follow thestandard 12 bar blues form, so they are readily applicable to many genres,including country, rock, jazz, folk and bluegrass, to name a few.<br> <br> To further deepen your mandolin skills, study themajor, minor, blues scales and arpeggios, as well as the library of mandolin chordsand blues chord progressions in all 12 keys. <br> <br> No book covers everything, but with some practice, youwill be ready to take your mandolin, jam the blues with confidence, and showoff your new skills.<br> <br> For free mandolin lessons, audio tracks and videos, pleasevisit my website:<br> <br> http://www.brentrobitaille.com<br> <br> or<br> <br> Mandolin BluesBook - Kalymi Music (brentrobitaille.com)
$18.99
17.48 €
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Mandoline
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Brent Robitaille
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Mandolin Blues Book - 101 Blues Riffs and Solos for Mandolin
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Brent C Robitaille
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SheetMusicPlus
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
School of Mandolin: Basic Chords and Soloing
Mandoline
Mandolin - Beginning-Intermediate - Digital Download SKU: M0.21673BCDEB Composed by…
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Mandolin - Beginning-Intermediate - Digital Download SKU: M0.21673BCDEB Composed by Joe Carr. Country. School of. Bluegrass. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21673BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21673BCDEB). ISBN 9781610653879. 8.75x11.75 inches.In this new series, author Joe Carr introduces beginning to intermediate mandolin players to a variety of essential techniques using common instructional tunes. The object of the series is to ground players in good technique and to impart the essential skills required for continued self-guided development. The tunes in this volume come largely from the American folk tradition. This is a great first tutor for mandolinists with general musical interests.
$9.99
9.2 €
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Mandoline
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Joe Carr
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School of Mandolin: Basic Chords and Soloing
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
For hes a jolly good fellow
Mandoline
Mandolin - Level 1 - Digital Download SKU: A0.1352544 Composed by Traditional. Arra…
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Mandolin - Level 1 - Digital Download SKU: A0.1352544 Composed by Traditional. Arranged by songbooks.info. Folk,Spiritual,Traditional. Score. 2 pages. Songbooks.info #937362. Published by songbooks.info (A0.1352544). Well-known and popular Folk and Gospel Songs from all over the world - notated for the mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Folk und Gospel Songs aus aller Welt - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22
2.04 €
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Mandoline
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Traditional
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songbooks
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For hes a jolly good fellow
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songbooks.info
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SheetMusicPlus
What A Wonderful World
Mandoline
Mandolin - Level 2 - Digital Download SKU: A0.1291714 By Louis Armstrong. By Bob Th…
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Mandolin - Level 2 - Digital Download SKU: A0.1291714 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Multicultural,Wedding,World. Score. 8 pages. Fernando Neves #882322. Published by Fernando Neves (A0.1291714). By George David Weiss & Bob Thiele, recorded by Louis Armstrong. Arranged for mandolin and guitar by Fernando Neves. Melody played by mandolin and accompaniment played by acoustic Guitar. PDF file includes full scores with tablature for both mandolin and guitar (4 pages) and also separated parts with melody with score and tablature for mandolin ( 2 pages) and acoustic guitar part with chords, tablature and fingering. Nice music to be played in any situation such as meetings, lounges, weddings and even funerals. This song is part of soundtrack of the movie Good Morning Vietnam, 1987. 8 pages.
$17.97
16.55 €
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Mandoline
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Louis Armstrong
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FERNANDO LUIZ NEVES
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What A Wonderful World
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Fernando Neves
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SheetMusicPlus
American Mandolin Method, Volume 2
Mandoline
By Brian Wicklund. For Mandolin. American. 60 pages. Published by Mel Bay Publications - D…
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By Brian Wicklund. For Mandolin. American. 60 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114005. The American Mandolin Method is the new standard for mandolin instruction. Master teachers and performers of the mandolin, Brian Wicklund and Ben Winship have crafted Volume 2 of their series to be used both as a follow up to Volume 1 and for intermediate players who are already experienced with the mandolin. Using clear illustrations and lucid explanations, the authors review skills such as efficiently holding the mandolin, fretting, picking technique and creating good tone. Students learn techniques such as slides, hammer-ons, pull-offs, bar chords, chop chords and 7th chords while progressing step-by-step through over two dozen universally played jam tunes. The very listenable, high quality, extended length online audio recording available with the book allows students to play along with the tunes to simulate jamming. Also included are folded scale exercises, and common sense tips from the authors' long experience teaching and performing. Includes access to online audio.
$19.99
18.41 €
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Mandoline
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Brian Wicklund
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American Mandolin Method, Volume 2
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
All Things Work Together for GoodRomans 8:28-29
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.999680 Composed by Rebec…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.999680 Composed by Rebecca Lou. Children,Christian,Instructional,Praise & Worship,Sacred. Octavo. 3 pages. Rebecca Lou #6019425. Published by Rebecca Lou (A0.999680). All Things Work Together for Our Good, Romans 8:28-29 is a Scripture Song with a wonderful promise from God's Word. These words are taken directly from the Bible. It is a simple melody, sung by children, that's easy to learn by anyone, ages 3-103. All Things Work Together for Our Good can be sung easily by children or entire congregations. Scripture Songs for Dancing in His Arms are quickly becoming favorites to many individuals as well as church congregations. .
$4.99
4.59 €
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Chorale Unison
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Rebecca Lou
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All Things Work Together for GoodRomans 8:28-29
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Rebecca Lou
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SheetMusicPlus
Toccata Op.10 for Piano Solo by Robert Schumann
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.862654 Composed by Schumann, R. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.862654 Composed by Schumann, R. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 15 pages. Michael Butkus-Bomier #3589173. Published by Michael Butkus-Bomier (A0.862654). The Toccata op.10 is more than a bold concert piece only attempted by the highest-level virtuosoi, like Horowitz, Bolet, and Pogerelich, it is, in our trimmed-down version, a classic case study in note-management as a Way of Life, for the Aspiring Concert Artist at the piano. Sometimes the harmony changes with every 1-8 note! The figuration is an alternating motion, often in both hands, from outer notes to inner notes, and back again, at a good clip, and without much of a break at all! Our setting has had some octaves removed, and has many of the chords respelled so you can see what the chord actually IS! Some leaps are octave-shifted.IF you decide this piece is worth a try, remember to think harmonically, and not just with notes. It is a series of chords, all displayed for the player to execute for the delight and astonishment of any listener. Even at our conservative tempo listing, the piece really shows how the piano can be its own three-man band! Pedal as little as possible, for the harmonic clarity that one should strive for. MBB
$9.95
9.16 €
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Piano seul
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Schumann, R
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Michael Bomier
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Toccata Op.10 for Piano Solo by Robert Schumann
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Michael Butkus-Bomier
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SheetMusicPlus
Airs for the Seasons by James Oswald
Mandoline
Arranged for Solo Mandolin. Composed by John Goodin. Solos and Duets. Style. E-book. M…
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Arranged for Solo Mandolin. Composed by John Goodin. Solos and Duets. Style. E-book. Mel Bay Publications - Digital Sheet Music #30743EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118416.<br> <br> Between 1755 and 1761 James Oswald composed and published two sets of 48 Airs for the Seasons, 96 pieces in all. Each air included from two to four separate movements in different time signatures and tempos, almost always in the same key. Each was printed on a single page with the melody on one staff and a bass line (with figures) on a second staff. Additionally, each piece was named after a plant and organized into groups of twelve for each season. This book contains a selection of 24 Oswald airs, 6 for each season, in standard notation and arranged for solo mandolin. Originally intended for the flute or violin, in most cases the original key has been changed to better accommodate the modern mandolin. Oswaldas Scottish heritage is evident in the number of movements that are actually slow airs, jigs, reels or menuets. Altogether, this is a delightful collection of 18th century melodies suitable for solo performance, teaching or private enjoyment.
$12.99
11.96 €
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Mandoline
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John Goodin
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Airs for the Seasons by James Oswald
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 7: À Diane from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 7: À Diane from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Too Good At Goodbyes
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.608585 By Sam Smith. By James Na…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.608585 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4991071. Published by Kevin Busse (A0.608585). This is an exact transcription of Too Good At Goodbyes in a good range for Clarinet.
$4.99
4.59 €
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Clarinette
#
Sam Smith
#
Kevin Busse
#
Too Good At Goodbyes
#
Kevin Busse
#
SheetMusicPlus
Too Good At Goodbyes
Basson
Bassoon Solo - Level 2 - Digital Download SKU: A0.608586 By Sam Smith. By James Nap…
(+)
Bassoon Solo - Level 2 - Digital Download SKU: A0.608586 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4991073. Published by Kevin Busse (A0.608586). This is an exact transcription of Too Good At Goodbyes in a good range for Bassoon.
$4.99
4.59 €
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Basson
#
Sam Smith
#
Kevin Busse
#
Too Good At Goodbyes
#
Kevin Busse
#
SheetMusicPlus
Too Good At Goodbyes
Flûte traversière
Flute Solo - Level 2 - Digital Download SKU: A0.608583 By Sam Smith. By James Napie…
(+)
Flute Solo - Level 2 - Digital Download SKU: A0.608583 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4991067. Published by Kevin Busse (A0.608583). This is an exact transcription of Too Good At Goodbyes in a good range for Flute.
$4.99
4.59 €
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Flûte traversière
#
Sam Smith
#
Kevin Busse
#
Too Good At Goodbyes
#
Kevin Busse
#
SheetMusicPlus
Too Good At Goodbyes
Euphonium
Euphonium Solo - Level 2 - Digital Download SKU: A0.608600 By Sam Smith. By James N…
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Euphonium Solo - Level 2 - Digital Download SKU: A0.608600 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4991095. Published by Kevin Busse (A0.608600). This is an exact transcription of Too Good At Goodbyes in a good range for Euphonium.
$4.99
4.59 €
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Euphonium
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Sam Smith
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Kevin Busse
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Too Good At Goodbyes
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Kevin Busse
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SheetMusicPlus
Too Good At Goodbyes
Cor
French Horn Solo - Level 2 - Digital Download SKU: A0.608599 By Sam Smith. By James…
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French Horn Solo - Level 2 - Digital Download SKU: A0.608599 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4991093. Published by Kevin Busse (A0.608599). This is an exact transcription of Too Good At Goodbyes in a good range for Horn in F
$4.99
4.59 €
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Cor
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Sam Smith
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Kevin Busse
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Too Good At Goodbyes
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Kevin Busse
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SheetMusicPlus
Too Good At Goodbyes
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.608597 By Sam Smith. By James Na…
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Trombone Solo - Level 2 - Digital Download SKU: A0.608597 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4991089. Published by Kevin Busse (A0.608597). This is an exact transcription of Too Good At Goodbyes in a good range for Trombone.
$4.99
4.59 €
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Trombone
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Sam Smith
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Kevin Busse
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Too Good At Goodbyes
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Kevin Busse
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SheetMusicPlus
Too Good At Goodbyes
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.608595 By Sam Smith. By…
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Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.608595 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4991083. Published by Kevin Busse (A0.608595). This is an exact transcription of Too Good At Goodbyes in a good range for Soprano Sax
$4.99
4.59 €
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Saxophone (partie séparée)
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Sam Smith
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Kevin Busse
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Too Good At Goodbyes
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Kevin Busse
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SheetMusicPlus
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